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jaymz: Ugh, I can't stand iTunes, or any other legal form of downloading music that supplies it in mp3 format!
If I hear a song on the radio, and like it. I will check out other songs on Youtube. If I like the other songs on the album I will buy it.
~$20 for a CD is nothing these days. Plus you get the physical disk, artwork/books, and a much MUCH better quality music.
People who pirate music annoy me, I mean, you like the band, so why not support them so they can make more music you like??
All comments are my own opinion, and not that of my employer unless explicitly stated.
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jaymz: Ugh, I can't stand iTunes, or any other legal form of downloading music that supplies it in mp3 format!
If I hear a song on the radio, and like it. I will check out other songs on Youtube. If I like the other songs on the album I will buy it.
~$20 for a CD is nothing these days. Plus you get the physical disk, artwork/books, and a much MUCH better quality music.
People who pirate music annoy me, I mean, you like the band, so why not support them so they can make more music you like??
1080p: Purely theoretical question here;
If I were to be handed an infringement notice, then another and another by my ISP. Assume I am taken to the Tribunal by the rights holder. What kind of evidence is needed to prove I have been infringing copyright by sharing files?
I would assume they would have records of my IP being in a torrent swarm with timestamps so my ISP can match them.
How can this be considered evidence of illegal activity considering how easy it is to spoof IP and port numbers to a torrent swarm?
122MA Infringement notice as evidence of copyright infringement
(1) In proceedings before the Tribunal, in relation to an infringement notice, it is presumed:
(a) that each incidence of file sharing identified in the notice constituted an infringement of the right owner's copyright in the work identified;
(b) that the information recorded in the infringement notice is correct;
(c) that the infringement notice was issued in accordance with this Act.
(2) An account holder may submit evidence that, or give reasons why, any 1 or more of the presumptions in subsection (1) do not apply with respect to any particular infringement identified in an infringement notice.
(3) If an account holder submits evidence or gives reasons as referred to in subsection (2), the rights owner must satisfy the Tribunal that, in relation to the relevant infringement or notice, the particular presumption or presumptions are correct.
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lokhor:jaymz: Ugh, I can't stand iTunes, or any other legal form of downloading music that supplies it in mp3 format!
If I hear a song on the radio, and like it. I will check out other songs on Youtube. If I like the other songs on the album I will buy it.
~$20 for a CD is nothing these days. Plus you get the physical disk, artwork/books, and a much MUCH better quality music.
People who pirate music annoy me, I mean, you like the band, so why not support them so they can make more music you like??
That means you have to use a CD to play the music, or go to the trouble of re-encoding it. also how much of the price of the CD do you think actually goes to the artist? it's very little.
see: http://andrewapeterson.com/2007/11/arists-royalties-cd-sales-real-numbers/
there are other articles that examine how much artists actually get when signed to a label and even through iTunes it's not a whole lot. I'd rather support a model where artists get known through word of mouth or file sharing and I don't have to pay a whole lot of money to a publisher to obtain their music.
jaymz: I copy the CD to my computer using a lossless format (FLAC, WAV) - Yea i know, it is technically copyright infringement - but i dont share the files with others and the CD's get archived.
jaymz: So, essentially what you are saying is, you would rather pay the artist nothing, than the small amount they get at the moment?
Ideally, if the artist is so unhappy with the small amount of money they get from the record label they should change or produce it themselves.
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freitasm: But how do you pay an artist when you just download their file? Do you think people that goes to lengths to download content from a TV series would send a "donation" to the producers?
All comments are my own opinion, and not that of my employer unless explicitly stated.
freitasm:
Your response is good in most aspects and I agree. The only thing missed here is that when an outsider of technology read through these posts and some others that person's first reaction was "sure this people are downloading things that don't belong to them."
This is an important point you are missing. Folks are up in arms now because of the possibility of their Internet service being disconnected. But no one raised their voices when the rest of the copyright bill passed into law a couple of years ago. The only point of discussion was always the penalty, not the copyright definition.
That's where I say it's wrong. You had the opportunity to help redefine the ENTIRE copyright framework two years ago and the only thing people complained was about the penalty imposed. As a result we have a bunch of policians that can't make a distintion between peer-to-peer as a technology in general and using the technology for legal distribution of content, such as game studios are doing.
What do I see now? Lots of posts asking like "If I keep my downloaded content in the cloud instead of my computer, am I safe?" or "How to I use a seedbox and VPN to download this content?" and so on. That's when this outsider looked at me and asked "well, they certainly are downloading things they shouldn't, so what's the problem if it's not legal to do it?"
freitasm: But how do you pay an artist when you just download their file? Do you think people that goes to lengths to download content from a TV series would send a "donation" to the producers?
freitasm:
122MA Infringement notice as evidence of copyright infringement
(1) In proceedings before the Tribunal, in relation to an infringement notice, it is presumed:
(a) that each incidence of file sharing identified in the notice constituted an infringement of the right owner's copyright in the work identified;
(b) that the information recorded in the infringement notice is correct;
(c) that the infringement notice was issued in accordance with this Act.
(2) An account holder may submit evidence that, or give reasons why, any 1 or more of the presumptions in subsection (1) do not apply with respect to any particular infringement identified in an infringement notice.
(3) If an account holder submits evidence or gives reasons as referred to in subsection (2), the rights owner must satisfy the Tribunal that, in relation to the relevant infringement or notice, the particular presumption or presumptions are correct.
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freitasm: Read again... They don't have to prove anything, by default the law says the notice is correct.
You have to prove it wasn't you or someone in your household doing it. If you can't produce the equipement for verification, then you can't prove it wasn't you doing it.
See the problem now?
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