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networkn: Buy Cyberlink PowerDVD Blu-Ray player, the issue will be resolved.
It's expensive, but it works, right away out of the box.
SamF: Well, considering the AACS content protection scheme cost millions to develop and implement, but yet was defeated within a few short months of release, I wouldn't call that cost effective return on investment!
SamF: Perhaps it stops casual users from copying it, but really, anyone with minimal knowledge can download a movie.
SamF: I can do many other things with my blu-ray player and PC, Why do I have to pay for third party software to play the movie I bought!?
SamF:mm1352000:SamF: ...and B) If the media companies had their way, AnyDVD would be off the market!
I don't understand your point.
Media companies do not like others bypassing their expensive copy protection and have been successful in making this illegal in the USA.
mm1352000:Is your point that I'd be saying the same things as you if I didn't have recourse to AnyDVD HD?
Behodar: Aside from DRM, I'm sick of movies that have been "tampered" with. It's common for the studios to crop the edges off to make the movie fit a 16:9 TV. Sometimes they mess with the actual content or colour. Take The Matrix, for example, which has a brown tint all over the DVD that wasn't there in the theatre. The Blu-ray, on the other hand, has excessive green. The Lion King hasn't had an accurate release since the initial LaserDisc!
SamF: I think it's often more carelessness & laziness than deliberate changes, but yes, annoying. It wouldn't take a lot of effort to make it right.
Behodar:SamF: I think it's often more carelessness & laziness than deliberate changes, but yes, annoying. It wouldn't take a lot of effort to make it right.
While I can believe carelessness/laziness for older movies, there's no excuse for ones produced in the "digital era".
SamF: Ha! Have you ever tried to use an UltraViolet code!?
SamF: 1) You have to install proprietary, invasive, buggy software on your device
SamF: 2) You do not have unrestricted access to play the media on any device
SamF: 3) The media quality is rubbish
UltraViolet files use H.264/AVC video (ISO/IEC 14496-10). Multiple resolutions, aspect ratios, and frame rates are supported. Only progressive-scan video is allowed.UltraViolet files use stereo MPEG-4 AAC LC audio (ISO/IEC 14496-3) as a required base format, with optional multi-channel AAC, HE AAC v2 (optionally with MPEG surround), Dolby Digital, Dolby Digital Plus, Dolby TrueHD (MLP), DTS, DTS HD, DTS Master Audio, and DTS Express (low bit rate).
SamF: 4) The codes EXPIRE! I bought a relatively new retail movie once which had an UltraViolet code which had expired only a few months after the movie was released!
SamF: In reality UltraViolet is no better, and in some ways worse, than standard Blu-Ray content protection. If this is the movie industry's answer to pirating, they need to go back to the drawing board!
SamF: Perhaps; I don't claim to know your mind :)
SamF: My point is that the only reason you can even view content protected Blu-Rays on a PC is due to 3rd party solutions that the media industry would prefer didn't exist.
mm1352000:
Seriously, content producers have the right to offer their content on their terms. If you can't accept the terms then don't buy or consume the content! It's really that simple.
SamF: Sure, the content producers have the right to do whatever they like with their content, but they are trying to sell it to the consumer. If they don't give the consumer what they want, they won't buy it...
SamF: ...but the consumer may get what they want anyway by pirating!
SamF: And my secondary, but closely related point is; DRM only serves to disadvantage legitimate customers.
SamF: DRM is no barrier to pirates, so the only group left affected is paying customers who, while being able to pirate the content, choose not to.
SamF: At the end of the day it is a simple case of demand and supply; Consumers demand better access to the product, and if they can't get it via legal sources, they will get it illegally. Until content producers understand this, they will continue to miss out on revenue.
SamF: Case in point: Digital Music; We started with Napster and ended up at Spotify. There is no longer any real reason to pirate music because everything the consumer wants is available at an agreeable price via Spotify. I believe that the movie & TV industry needs to move in the same direction with video media.
SamF isn't opining on what is right or wrong, just observing what is happening and how many people believe in practice. And, from this, drawing the logical conclusion that DRM as applied by media companies seems ineffective and counterproductive.
mm1352000:
You may be satisfied with Spotify but other people (including some of the artists) clearly are not. If the "video" industry goes the same way I can only guess that the same issues would apply.
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