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richms: 4:3 in the middle is called pillar boxing.
Why the hell cant they transmit the aspect different for each program and let the box decide what to do. I have a 4:3 tv that supports letterboxing an anamorphic signal. Thats the best compromise for dvds since it means that I get the full res of widescreens and dont miss stuff on 4:3 - if I have to constantly change the STB back to centercut or widescreen then that will get old real fast since I dont like the idea of having a 4:3 picture end up the size of a 21" tv with black all around it.
..in countries where the 625 line television standard is used (usually with PAL colour), [..] this standard has provision for a pair of pulses contained within the video signal. This pair of pulses is detected by television sets that have widescreen displays and cause the television to automatically switch to 16:9 display mode. When 4:3 material is included (such as the aforementioned commercial), the pulses are removed and the television switches to a 4:3 display mode to correctly display the material. Where a video signal is transmitted via a European SCART connection, one of the status lines is used to signal 16:9 material instead. The NTSC video standard contains no provision for widescreen mode switching.
richms: Aspect is part of the mpeg data, there are 3 ways to get it to the tv (4 if you count hdmi weirdness) - the 2 you mentioned and the available on ntsc way of a bias on the chroma pin of the svideo.
It should be options on settops how to present either aspect, unfortunatly all I have seen just give 3 options for tv type, with no option for widescreen capable 4:3 set
From reading the first post to this thread it would appear that TV3 intend to operate fulltime 16:9 and 4:3 material will be pillarboxed not to full 4:3 but to 13:9 (or did they mean 14:9) which is a reasonable compromise.
Cyril
richms: But does it signal the tv to do the squish as needed?
TomAckroyd:
From reading the first post to this thread it would appear that TV3 intend to operate fulltime 16:9 and 4:3 material will be pillarboxed not to full 4:3 but to 13:9 (or did they mean 14:9) which is a reasonable compromise.
Cyril
Cyril - not quite true if you read the release. The signal will be anamorphic 16:9 fulltime, and for digital viewers 4:3 TV commercials will be placed uncropped in the centre, ie pillar-boxed.
CanWest will ARC the entire stream to 4:3 with 13:9 letterboxing for UHF only.
As an educated guess, 16:9 shows that feature 4:3 content (eg packaged shows like 60 minutes, or docos with archive academy material) will probably exhibit varying ARCing as individual producers decide on a case-by-case basis how much to zoom and crop for a good compromise.
Digital viewers with 4:3 sets who want the best viewing experience will have to switch their STBs regularly if they want to watch 16:9 original drama shows, but avoid postage-stamping on other material.
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Cyril - not quite true if you read the release. The signal will be anamorphic 16:9 fulltime, and for digital viewers 4:3 TV commercials will be placed uncropped in the centre, ie pillar-boxed.
TomAckroyd:
For widescreen-capable 4:3 professional CRTs, widescreen is achieved by collapsing the raster scan by the appropriate ratio. This gives far better "analogue" scaling than the digital ARCing in a DVD player or STB. Domestic sets I don't know. I do know that Philips CRT TV scaling is digitally awful.
cyril7:
Larry, what you are proposing to do is the best solution, leave it locked at 16:9 full.
Cyril
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